- published: 23 Nov 2006
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The Berklee Batá Ensemble performs "E-lu-Banche" and The Percussion Department faculty and student perform "Conga de Comparsa/Iyesá." "E-lu-banche" (Yoruba traditional) "Conga de Comparsa/Iyesá" (Cuban traditional) The Berklee Batá Ensemble Rio Longoria: Itótele Julio Santos: Okónkolo Mike Ringquist:Iyá Berklee Afro-Cuban Percussion Faculty and Students Anne Caroline Silve: timbau Takafumi Nikaido: quinto Eguie Castrillo: timbales Ernesto Diaz: tumbadoras Sean Skeete: bombo Julio Santos: Iyá Rio Longoria: Itótele Mike Ringquist: Okónkolo Recorded live in the Percussion Department Simon Katz: recording engineer, mixing engineer Chris Geller: assistant recording engineer Filmed by 21summit Productions: Joe Barnard: videographer, editor Emir Cerman: videographer
1) Cuban Sugar (after Tschaikowsky's Nußknacker Suite - Danse Caractéristiques: Danse de la Fée Dragée) - 00:00:00 2) Mambozart (after Mozart's Symphony No. 40) - 4:19 3) El Cisne Triste (after Tschaikowsky's Schwanensee & Chopin's Trauermarsch) - 8:50 4) Hochzeitsmarsch (after Mendelssohn's Hochzeitsmarsch) - 14:46 5) Cinco Salsa (after Beethoven's Symphony No. 5) - 18:54 6) Cuban Danube (after Strauss' An der Schönen Blauen Donau) - 23:25 7) Sueño de Amor (after Liszt's Liebestraum) - 29:00 8) Habanera en Habana (after Bizet's Carmen Suite) - 35:21 9) Kubanischer Tanz (after Brahms' Hungarian Dance No. 5) - 43:42 10) Der Mond ist Aufgegangen (after Johann Abraham Peter Schulz's setting) - 49:07 11) Kubanischer Marsch (after Mozart's Turkischer Marsch) - 55:10 12) Salsaria (af...
The Afro-Cuban Jazz Cartel percussion section, featuring Grammy Award winning percussionists Omar Ledezma Jr on timbales and cajon and Javier Cabanillas on congas with Bosphorus Cymbals Artist Brian Andres on the drum set. They discuss their approach to creating some of the rhythms they performed on their latest recording, This Could Be That, on Bacalao Records. EDIT: Unfortunately, at the 4:46 mark I said that I play the cross stick on the 2 & 4 when I really meant the 2 & 5 if you're counting the eighth notes in 6. Sorry for the confusion! - Brian Visit www.brianandres.com for more information regarding The Afro-Cuban Jazz Cartel. And visit: www.javiercabanillas.com www.omarledezmajr.com Video Credits ------------------- Tom Ehrlich- Videography / Photography Michael Lazar...
Scenes from La Campana's show in La Begonia, Holguin, Cuba. Established in 1993, the group has over 40 members. They have performed in important national venues in Havana, Camagüey and Trinidad, as well as at many international events in countries including Mexico, Venezuela, Columbia, and Panama. They have been awarded various national cultural prizes. The instruments played include Chequeré, Catayé, Catá, Tumbadoras, Tambores Batá, Campana, Requinto, Tumba Francesa and Tamboras. The group integrates musicians, dancers, and singers, all under the direction of Francisco Griñán Sánchez (Chichío). Contact: email: email@example.com cell: (53) 52 395133 video shoots: Wayne Eardley and Nunca Silva video editing: Nunca Silva
A bembe using the very fine drums made by Mario of Isla Percussion. I saw his work shop and some of his drums. They are beautiful. Great folkloric sound. I bought a quinto! He also makes bongos. http://islapercussions.com/ Tags:congas rumba cuba guaguanco bongos Added: 1 month ago in Category: Music
Learn the son and rumba clave beats and rhythms in this video lesson. Practice playing the clave with the Latin Percussion White Wood Clave: http://amzn.to/1X5AzJd The clave is a rhythmic pattern used as a tool for temporal organization in Afro-Cuban music. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz. The five-stroke clave pattern represents the structural core of many Afro-Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a key pattern, guide pattern, phrasing referent, timeline, or asymmetrical timeline. The clave pattern is also found in the African diaspora mu...
Cuban percussionist, Yoel Del Sol performs a beautiful solo on 3 congas.
Central Cafe Madrid 23rd January 2013 - homage to the great Cuban percussionists - El Chori, Chano Pozo, Pello El Afrokan , Chanquito (Jose Luis Quinatana) etc.... Homenaje a los grandes percusionistas de Cuba - - El Chori, Chano Pozo, Pello El Afrokan , Chanquito (Jose Luis Quinatana) etc....
Some excerpts from a percussion clinic given by Damon Grant, Gerald Myles, and Marcos Torres III. Video taken during the Sono Arts Festival in Norwalk, CT August 2010. Special thanks to Latin Percussion, Vic Firth Sticks, Remo Drumheads, Samson Audio Equipment, & Mapex Drums.
Not improving much? Try http://www.icanplaydrums.com/drum-lessons.htm for over 250 FREE HD video lessons. All topics from Rock, Metal, Funk, Latin, Jazz, Covers, Percussion and more! Over 100,000 worldwide subscribers. This lesson was taken from The Big Drum Ezine archives at Icanplaydrums.com You can sign up at the link above.
http://www.jazzopen.com/ ● © For any questions regarding copyright issues related to video materials, please contact us via email at firstname.lastname@example.org ● Tracklist: 1. Summertime 2. Mambo Influenciado 3. Girl from Ipanema 4. Preludio 5. Los Amigos 6. So What 7. Take Five 8. Samba Zamba ● Personnel: Kilian Forster - bass Tobias Forster - piano Tim Hahn - drums Alexis Herrera Estévez - timbales Elio Rodriguez Luis - congas ● Klazz Brothers & Cuba Percussion: "Jazz meets Cuba" Live at JazzOpen Stuttgart, Germany, 2005 ▶ JazzOpen Stuttgart - Full Length Concerts - http://bit.ly/1GSHy3h ● SUBSCRIBE HERE ıı▶ http://bit.ly/2mMMd2W
In this clip from www.artistshousemusic.org - Drummer and professor of Percussion Dafnis Prieto demonstrates a basic rhythmic element of Cuban music -- the intricate and challenging Mozambique rhythm -- and shows how this rhythm builds upon the basic conga clave.